EPK Materials below

His tone sounds full-bodied, weighty, and expansive, something to sink into, a massage for the soul. Sencalar’s improvisations on these and the rest of the cuts are rich in detail, balancing in-the-moment discoveries and adherence to the demands of the material.
— David A Orthmann, All About Jazz

Selected Quotes

Sencalar and Glassman sound like 21st century prodigy grand children of Jay and Kai.
— Thomas Conrad; Stereophile Magazine August 2020 Edition
A trombonist as well as a euphonium player, he makes his debut into the recording scene with a solid jazz concept and flair.
— International Trombone Association Journal April 2020 Edition
Fellow trombonist Steve Davis and his arrangement of Hancock’s “The Maze” pushes both Sencalar and Glassman into a propulsive take on the tune.
— Richard B. Kamins, Step Tempest Blogspot (Skins & Bones)
On a whole, it is difficult not to be impressed by Altin Sencalar’s writing and playing.
— Scotta Yanow- Jazz Historian & Journalist, Downbeat, Jazztimes, All About Jazz
Sencalar’s effervescent “In You Own Head.” His sparkling cascade of notes contrasts nicely with mellifluous chords from the leaders’ fellow alum guitarist Nathan Borton. Glassman wields his bass trombone with grace and elegance while Sencalar takes center stage with an inventive extemporization made up of muscular and fluid lines.
— ALL ABOUT JAZZ; HRAYR ATTARIAN CONTRIBUTING WRITER/ REVIEWER
Sencalar’s three originals are finely sculpted, steeped in idiomatic knowledge. “In Your Own Head” is intricate and elegant in a bossa feel, with a shift to samba toward the end that represents the ceaseless rush of thoughts in a person’s mind. The tune also tries to capture “the second-guessing and insecurities that some might go through during periods of growth.” “What Was Good Is Good,” titled after a favorite saying by Jimmy Heath, is tight and swinging bebop based on “Confirmation,” with a reharmonized bridge and a surprising duo breakdown at the start of Glassman’s solo, following Sencalar’s two exemplary choruses. And “When Reality Sets In,” a relaxed bolero in acknowledgement of Sencalar’s Latin roots, finds the trombones in full legato glory. The shifting minor/major sonorities suggest “an opportunity to see hope through a trying time,
— David R. Adler- Jazz Writer, Downbeat, Jazz Times, Jazziz, NPR Music
Introducing Altin Sencalar is the recording debut as a leader of an impressive young trombonist. Altin Sencalar. Based in Austin, Texas, Sencalar has already gained a wide variety of musical experiences and developed an original style on trombone. On this enjoyable CD, Sencalar plays trombone and occasionally euphonium, contributing seven originals and also playing fresh versions of two standards. His group is filled with up-and-coming players.
— Scotta Yanow- Jazz Historian & Journalist, Downbeat, Jazztimes, All About Jazz

Selected Press Mentions